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For Ballet, Jazz and Modern Dance Teachers
2008 Workshop Dates:
August 10 - August 15
Admission limited to 25 applicants. College credit
available.
Dance Teacher Intensive is
designed to help teachers connect and re-connect to why we love
to teach dance. Guiding dancers to improve their capabilities and
artistry is no easy job. It’s not just about the steps.
In this workshop, each day we will be moving together,
taking technique classes, talking, moving, constructing, deconstructing,
and talking some more.
Our Complete 2008 Faculty and Program Schedule
will be announced soon.
2007 Master Teachers and Program Schedule
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Tentative Daily
Schedule
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Monday |
Tuesday |
Wednesday |
Thursday |
Friday |
| 9-11 |
Stephen Pier
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Linda Kent
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Stephen Pier
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Peter Chu |
Elaine Gardner |
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Improving Ballet Technique |
Modern |
Improving Ballet Technique |
Contemporary Jazz |
Yoga |
| 11:15 -12:30 |
Stephen Pier |
Elaine Gardner |
Rebecca Dietzel |
All |
Peter Chu |
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Ballet as an Artistic Tool |
Comp./ Improvisation |
The Knee |
Coaching for Jazz and Modern |
Jazz Wrap Up |
| Lunch |
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| 2-3:30 |
Peter Chu |
Stephen Pier |
Linda Kent |
Elaine Gardner |
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Jazz Funk |
Partnering |
Modern Repertory |
Site Specific Choreography |
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| 3:45 - 5 |
Peter Chu |
Rebecca Dietzel |
Elaine Gardner |
Stephen Pier |
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Dance & the Commercial World |
The Spine |
Preparing Students for Competitive Auditions (Live &
Taped) |
Coaching for Ballet Technique |
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| Evening Seminars |
| Nutrition by Rebecca Dietzel |
| Dance Videos from A to Z by Elaine Gardner |
| Injury Prevention by Dean Hazama, PT |
ADMISSION AND COSTS
Admission to the program is limited to the first 25 applicants.
Cost: $1,200 includes the workshop
and all meals
Lodging: Rustic dormitory lodging
is available at no additional charge, or we can assist you with
lodging recommendations.
Payment Policy: (check or credit card)
$500 nonrefundable deposit is due upon application
Balance is due July 1st
Professional
Workshop Application (Word)
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2007 MASTER TEACHERS
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Peter Chu
began his training as a competitive gymnast and evolved into a dancer
at Dussich Dance Studio in Merritt Island, FL. Receiving his BFA
degree from the Juilliard School under the direction of Benjamin
Harkarvy, Peter was awarded the Hector Zaraspe Prize for choreography.
Upon graduation, he joined Les Ballets Jazz de Montreal (BJM Danse)
directed by Louis Robitailles for two seasons. He has taught and
choreographed for the Edge Scholarship show in LA, the cast of "Le
Reve" created by Franco Dragone, Houston Metropolitan Dance Co.,
The Juilliard School summer dance, Busan International Beach Dance
Festival (Korea), as a guest teacher for LADF dance conventions,
Dance Masters of America national and regional conventions, Le Domaine
Forget Summer Intensive in Charlevoix, Quebec, and for the Invito
Alla Danza Festival 2003 in Rome. His versatility and love for dance
has motivated him to express his artistry/choreography through various
dance techniques and styles. Now pursuing a career as both a choreographer
and performer, his work has been presented at Alice Tully Hall,
The Clark Studio Theatre, The Juilliard Theatre, Wortham Theater
Center, Key Club(Carnival), as well as many other schools and theatres
across North America. He recently finished creating and dancing
for the film "Love Runs Red," directed by Trevor John. Peter is
enjoying his time performing for the Celine Dion show, "A New Day,"
in Las Vegas.

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Rebecca Dietzel
is a dance teacher, choreographer and anatomist. She specializes
in functional anatomy as it pertains to neuromuscular training,
physical re-education and injury rehabilitation. She studied anatomy
at The University of Vermont, Hunter College and through cadaver
studies. She also studied with Irene Dowd and was her teaching assistant
for ten years. Currently, Rebecca teaches anatomy and kinesiology
for the Ailey/Fordham BFA program in New York City. She maintains
a private practice in New York City teaching anatomy, physical re-education
and nutrition. In 2006, she will finish her graduate studies at
Columbia University's Institute of Human Nutrition, where she is
studying the biochemistry of nutrition. Rebecca is also an Ayurvedic
practitioner in the tradition of the Wise Earth School.

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A native of Glasgow, Scotland,
Elaine Gardner studied ballet
and modern dance in Syracuse, Phoenix, Los Angeles, Boston, London,
and New York. She performed in contemporary dances by Margo Sappington,
Bill Evans, Charles Weidman, Donald Byrd, Kei Takei, and Doris Humphrey.
She was a member of the touring repertory companies Phoenix Metropolitan
Dance Theater and Dance/L.A. Gardner founded Pick of the Crop Dance
in Los Angeles in 1980, and in 1982 re-established the company in
Buffalo with her husband, musician/composer Curt Steinzor. Since
then, she has performed individually and with the company throughout
the northeastern United States as well as in Scotland and Latvia.
Gardner first began creating works
in Los Angeles, focusing on collaborations with musicians. Since
then, she has created over ninety works for Pick of the Crop Dance,
many of them incorporating original music, environmental sculpture,
and literary texts. In 1995, Gardner began the creation of a cycle
of three full length, Broadway scale productions based on fairy
tales with large casts of young dancers and professional soloists.
Hansel & Gretel, The Snow Queen, and Cinderella have been seen
by over fifty thousand people in Buffalo, Jamestown, Geneva, and
Potsdam.
Gardner’s work has also been
performed by Western New York ballet and theater companies. A past
recipient of a National Endowment for the Arts dance/video grant,
Gardner has also been funded by the highly competitive New York
State Council on the Arts Dance Program (annually since 1989) and
the Arts Council in Buffalo and Erie County. She is a member of
the New York State DanceForce and a panelist for the New York State
Council on the Arts Dance Program.
Pick of the Crop Dance received the
Arts Organization of the Year award from the Arts Council in Buffalo
and Erie County in 1996. In 2001, Gardner was inducted into the
Western New York Dance Hall of Fame, and was honored by the University
at Buffalo Department of Theatre and Dance at their fall dance concert
as one of seven western New York dance “treasures.”
Gardner has taught contemporary dance,
ballet, choreography and improvisation since 1986 at Nichols School
in Buffalo, where she also directs and choreographs for the Nichols
Dance Ensemble. Gardner has taught and choreographed at private
dance schools throughout the northeastern United States and in Scotland
and Latvia. As an extension of her creative work, she creates artist
residencies and in-depth projects to introduce children to movement.
These residencies have been funded by regional arts councils and
service providers throughout upstate New York and New England.
One of her original projects, “Learning
on the Move,” has enjoyed particular success as a model for
the arts as learning. In this project, an entire grade level creates
its own multidisciplinary, movement-centered production. Students
create and perform their own script, choreography, music, and visual
art under the guidance of classroom teachers and artists from Pick
of the Crop Dance, based on a theme from the school curriculum.
Learning on the Move had a sixteen-year residency at Holmes School
in Tonawanda, funded by the New York State Council on the Arts Arts
in Education Program, which led to the school’s recognition
as a National School of Excellence in 1992. Learning on the Move
has also been employed at schools in Buffalo, Clarence, and Jamestown.
Gardner has worked with autistic
and other challenged children at the Albright-Knox Art Gallery and
in numerous public and private schools. In 1998, Gardner created
the Seedling Project, a four-week summer training program for young
dancers with a serious interest in concert performance. This program
has attracted students from Buffalo, Rochester, Jamestown, and as
far as Louisiana. In 1999, she established a junior company called
the Seedling Company. This ensemble of a dozen talented young dancers
performs throughout the community and, on occasion, with Pick of
the Crop professional dancers in repertory concerts.

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Stephen Pier has
achieved a uniquely rich and varied career as a dancer, teacher, and
choreographer. His credits as a performer include many years as a
principal dancer with the Jose Limon Co. where the New York press
hailed him as, “one of the most gifted dancers on the modern dance
scene today.” Stephen went on to become a leading soloist with the
Hamburg Ballet performing the title roles in John Neumeier’s “Othello”
and “Saint Matthew’s Passion” and creating numerous other major roles
during his nine years with the company. As a member of the Royal Danish
Ballet for six years, Stephen had the privilege of dancing leading
roles in works of Bournonville, Balanchine, and Macmillan as well
as collaborating with choreographers Flemming Flindt, Laura Dean,
Kim Brandstrup, and others. He was also invited to teach both the
company and the school there, staged two full evening ballets of Neumeier's,
established the New Choreographers Workshops which he directed and
created works for, and choreographed several successful productions
for the Royal Danish Opera and Theater. Stephen is currently on the
faculty of the Juilliard School in New York City where he teaches
ballet, partnering, and modern repertory. He tours throughout the
world as a guest teacher and a choreographer.

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Linda Kent (Program Director)
toured internationally for over 21 years as a principal dancer with
the Alvin Ailey
American Dance
Theater and the Paul
Taylor Dance Company. Her national television appearances include
Ailey's On Being Black, Memories
and Visions, Cosby Celebrates Ailey
and five Taylor programs for the PBS series Dance in
America. Miss Kent has staged works by Taylor, Ailey,
and David Parsons for dance companies around the world, including
Joffrey Ballet,
Bat Dor Company
of Israel, Les
Grands Ballets Canadiens, London Contemporary Dance Theater,
La Scala Opera Ballet and the Juilliard School. Miss Kent graduated
from the Juilliard School and has been a faculty member there since
1984. She has also taught at the Taylor School, Jacob's
Pillow Dance Festival, the University
of Illinois, and Wake
Forest University. In 1992, she was the first modern dancer
asked to teach at the Bolshoi Ballet School in Moscow. Linda is
returning to Perry-Mansfield for her seventh summer as Director
of Dance.

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Our 2006 Master Teachers and Program Description
Finis Jhung presented "New Ideas for the Ballet
Class." Rebecca Dietzel looked at functional anatomy and neuro-muscular
re-education. Elaine Gardner offered strategies for bringing creativity
to your teaching and avoiding teacher burn-out. She also demonstrated
techniques for engaging the young dancer. Director Linda Kent explored
the art of coaching; going beyond the steps. Participants received
written course materials to help them incorporate what they learned
back in their own studios and classrooms, including an extensive
booklet by Finis Jhung that detailed teaching tools, exercises,
steps and more. The Master Teachers and invited guests presented
additional seminars in Injury Prevention, Bringing Dance to Alternative
Audiences, and Nutrition.
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